10 Days That Unexpectedly Changed America - As Good As The Show

10 Days That Unexpectedly Changed America- It is a movie that everyone can enjoy together.This is something not usually seen in movies of this type, so it makes it an unusual, yet pleasant experience.The movie is absolutely stunning and Marcos Akiaten deliver some award-winning performances in this movie. I also think Aldo Cecea was great!

I think Marcos Akiaten and Aldo Cecea worked wonderful in 10 Days That Unexpectedly Changed America. The great supporting cast includes Marcos Akiaten, Aldo Cecea, Lisa Rosier, Glenn Shelhamer, James Casey.

You should see it, make no mistake this is a definite blockbuster!

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Summary of 10 Days That Unexpectedly Changed America:
Thoughtfully conceived and brilliantly executed, 10 Days That Unexpectedly Changed America is History Channel programming at its finest. As its title suggests, this series of ten one-hour documentaries does not necessarily represent the most important and well-known moments in American history (though some of them arguably qualify), but rather they are pivotal milestones that helped to forge and define the American character--events which, in retrospect, have had a profound influence on our ever-changing society. With this as their editorial mission, the History Channel's producers recruited ten highly acclaimed documentary filmmakers to direct each one-hour episode, each contributing their own unique approach to the material. Featuring several well-chosen and prestigious narrators including Jeffrey Wright, Martin Sheen, Joe Morton, Terry Kinney, and Campbell Scott, the results are uniformly excellent, representing a broad spectrum of documentary styles, visual techniques, and painstakingly accurate recreations and dramatizations of the chosen events.

From the very first slaughter of Native Americans by English settlers in 1637 ("Massacre at Mystic") to the civil rights movement's "Freedom Summer" of 1964, each episode places its one-day event in vivid historical context, concisely demonstrating how these events had a ripple effect on America's national identity. Some episodes are more experimental than others: Directed by Emmy-winner R.J. Cutler, "Shay's Rebellion: America's First Civil War" (1787) employs the uniquely expressionistic animation of Bill Plympton, far removed from the more familiar (but no less effective) style of dramatization included in "Einstein's Letter" (about the famed physicist's 1939 letter urging Franklin D. Roosevelt to develop nuclear weapons) or "Scopes: The Battle Over America's Soul" (about the sensational 1925 "Monkey Trial" over the teaching of evolution). With varying degrees of documentary ingenuity, other episodes cover the California gold rush of 1849; the Civil War's bloody battle of Antietam; the violent 1892 "Homestead Strike" of united laborers against Carnegie Steel; the 1901 assassination of President William McKinley; and the dynamic appearances of Elvis Presley on The Ed Sullivan Show in 1956. Presented in chronological order, these ten films offer lasting value to history buffs, teachers, and anyone interested in understanding how American history was forged in the furnace of tumultuous change. The sole bonus feature is a 30-minute survey of each episode's director and their distinct methods of completing their assignments. Their cumulative efforts combine to form one of the most wide-ranging and fascinating series the History Channel has ever presented. --Jeff Shannon

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Out On A Limb

Dr. Jekyll & Mr. Hyde Double Feature - Buy Movies Online

Wow! I really loved the movie Dr. Jekyll & Mr. Hyde Double Feature. The movie is absolutely stunning with top-notch graphics and visuals while Fredric March deliver some award-winning performances in this movie. I also think Miriam Hopkins was great! The visuals and graphics make for some very realistic on screen special-effects but that is the beauty of the movie.When the movie wants to be funny it is funny, the same is true for when the movie needs to deliver its scary aspects.

I think Fredric March and Miriam Hopkins worked wonderful in Dr. Jekyll & Mr. Hyde Double Feature. The great supporting cast includes Fredric March, Miriam Hopkins, Rose Hobart, Holmes Herbert, Halliwell Hobbes.

You should see it, make no mistake this is a definite blockbuster!

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Summary of Dr. Jekyll & Mr. Hyde Double Feature:
Dr. Jekyll and Mr. Hyde (1931)
Fredric March won an Oscar for playing the protagonist (and antagonist) of Robert Louis Stevenson's story. Dr. Henry Jekyll is an honorable man of science, albeit frustrated at the enforced celibacy of a delayed wedding date. Hyde is the fearsome creature he turns into after drinking a potion, and Hyde's appetites (mostly expressed with Miriam Hopkins's Cockney dance-hall wench) are decidedly unrestrained. March's performance is pretty theatrical, but it's fun to watch; his Hyde twitches and squawks and lopes around like an ape in a tuxedo. Rouben Mamoulian's direction has plenty of the brio of early-thirties Hollywood, and the transformations from Jekyll to Hyde are ingenious for the time. This film followed Dracula and Frankenstein into theaters by a few months, and it stands well with those horror classics--and it's a darn sight more fun (and much more down and dirty) than the 1941 MGM version of Stevenson's tale. --Robert Horton

Dr. Jekyll and Mr. Hyde (1941)
Classy MGM was not the studio most likely to make a horror movie in 1941, and in fact its production of Dr. Jekyll and Mr. Hyde ended up looking more like a glossy costume drama than a B-movie frightfest. The mood of Robert Louis Stevenson's tale of a divided doctor is ably captured in Joseph Ruttenberg's Oscar-nominated cinematography--more so, perhaps, than in Spencer Tracy's lead performance. Tracy wasn't especially happy about playing the role, although his transformations from good Dr. Jekyll to evil Dr. Hyde are convincing enough. One of the main reasons to see this version of the story is the young, impossibly beautiful Ingrid Bergman, then still a year shy of Casablanca. Bergman was cast in the good-girl part, but proved a shrewd judge of material, even this early in her Hollywood career; she finagled her way into playing the floozy instead, thus securing a more colorful acting platform than Lana Turner, who ended up in the more respectable role. Director Victor Fleming's previous movie was a little number called Gone with the Wind, and the Big Picture approach to that project may have influenced his work here--this Dr. Jekyll is just a bit too stately, too polished to really engage. The picture is so dignified it never cuts loose with the kind of wild invention that marked the 1932 version of the story, which won Fredric March an Oscar. It's the tale as imagined by Jekyll, rather than Hyde. --Robert Horton

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